We definitely had our share of shots over blue. Did a lot of the action on GI Joe take place on a virtual set? It became very important to see the characteristics of our actors, even when they were CG.Ī lot of movies have been using actors in front of green screens so that they can create their own environment. Just a couple weeks after shooting in Prague, we came back for a couple weeks and I had we were able to do a side to side comparison of our CG character (Marlin) running next to the real Marlin. ![]() Well for the accelerator suit the biggest challenge was making sure that our digital suit matched the suits that Shane Mchan at Legacy had made. What were some of the more difficult challenges? Frantic’s shots were similar enough and had the qualities that the director liked so that it really worked out. So we were really fortunate that Boyd liked the direction we were going. We don’t use the same software so it came down to us coming up with the best looking effect on our end. ![]() Digital Domain uses a proprietary system so we couldn’t just hand it across the board. So earlier on Boyd Shermis (check spelling), the Visual Effects Supervisor, knew that there were a couple of facilities, Frantic was also working on some of the Nanomite effect shots that Digital Domain was involved with. ![]() THere were a lot of effects that were similar for other effects houses to work on. We came in to work on 2 sequences, one of them being the convoy sequence and the other being the Paris chase sequence ending in the Eiffel Tower being eaten by nanomites.ĭid you work with other effects houses involved in the making of GI Joe? Interview with Brian Grill Visual Effects Supervisor for DIgital Domain on GI Joe
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